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Access_open Rechtspraak en waarheid in Aischylos’ Oresteia en Yael Farbers Molora

Journal Netherlands Journal of Legal Philosophy, Issue 2 2013
Keywords Oresteia, tragedy, conflict resolution, truth and reconciliation commission, restorative justice
Authors Lukas van den Berge
AbstractAuthor's information

    This article explores the themes of injustice and dehumanization in Aeschylus’ Oresteia and Yael Farber’s Molora, in which the story of the Oresteia is dramatized against the backdrop of post-apartheid South Africa. It is argued that both plays depict wrongdoers and victims alike as social outcasts. Thus, they can both be described with Paul Ricoeur as ‘sketches of a man,’ not being able to live up to their full human potential. Borrowing from Ricoeur’s legal philosophy, it is then explained how public trials and hearings help them to reintegrate into society, in which they can regain their full humanity.


Lukas van den Berge
Lukas van den Berge is researcher at the Montaigne Centre for Judicial Administration and Conflict Resolution of Utrecht University (the Netherlands), where he prepares a dissertation on the theory of administrative procedural law.
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